Poliedri Chandelier by Carlo Scarpa for Venini, Italy, 1950's

The Poliedri Chandelier by Carlo Scarpa for Venini is a striking exploration of light, geometry, and masterful glasswork. This mid-century Italian design marvel is emblematic of Scarpa's innovative approach to traditional Venetian glass techniques. The chandelier features an array of individually hand-crafted "poliedri" - geometric glass components, whose brilliant facets catch and refract light in a stunning display of luminosity. Each crystal-clear piece is expertly attached, forming a complex, cascading structure that shimmers and dazzles as light permeates. Scarpa's meticulous design sensibilities resonate in the symmetrical harmony of the piece. The collective glow of the poliedri creates a warm, ambient illumination, transforming any room into an ethereal space. The Poliedri Chandelier stands as a testament to Venini's rich history of high-quality glassmaking and Scarpa's genius in modernizing traditional craftsmanship. It is more than a source of light - it's a radiant masterpiece, lending timeless elegance and a touch of Venetian luxury to any interior.

  • Designer: Carlo Scarpa
  • Manufacturer: Venini
  • Year: 1950's
  • Origin: Italy
  • Dimensions: Diam 67, H 26 cm
  • Designer

    Carlo Scarpa (2 June 1906 – 28 November 1978) was an Italian architect, influenced by the materials, landscape and the history of Venetian culture, and by Japan. Scarpa translated his interests in history, regionalism, invention, and the techniques of the artist and craftsman into ingenious glass and furniture design

    From architecture to works in glass, from design projects to preparing museum exhibitions, the work of Carlo Scarpa has always stood out in the unmistakable way in which it manages to bring together his love for materials, his attention to detail and his masterly elaboration of organic and Wrightian poetics. Architect, designer and artist, Scarpa left the Venice Academy of Art in 1926 and began professional work, but continued to visit craftsmen’s’ workshops and Venetian master glassworkers. For twenty years, right up until the second half of the Forties, he received numerous commissions to design, convert prepare buildings.

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